by Bacopa Literary Review Poetry Co-Editor Oliver Keyhani
Fig. 1. Typescract 63 Dom Sylvester Houedard, 1963, 20x12.5 cm |
Visual poetry spans lettering, typography, handwriting, and collage. From the typestracts of Houedard and other typography (Figs. 1 & 2) to concrete poems and calligrams
(Fig. 3) that recapitulate the shapes of objects and things, visual
poetry allows for a dynamic interplay that connects the eyes and ears in
the experience of poetry (click on images to enlarge).
Visual poetry also has a rich history of rebelliousness, whimsy, social commentary, and even scathing political exposure. As stated by Derek Beaulieu, "The libidinal excess typified in concrete poetry is not tied to a biological author, but rather to the excess and waste caused in the production by business machines of 'correct' and legible documents." (Beaulieu, The Last VISPO Anthology: Visual Poetry 1998-2008, pg. 75).
Fig. 2. Calligram, Guillaume Appolinaire |
Fig. 3, Amanda Earl |